Saturday, 23 February 2013

Savira Kambada Basadi, Moodabidri


Local Highlight this week: 23 February 2013, Moodabidri Car festival 


Moodabidri is a small town 37 km northeast of the Dakshina Kannada district headquarters, Mangalore, in Karnataka. It is an hour from Udupi and near Karkala. Nearby places are Venur and Kudremukh.

Because of widely grown bamboo during ancient times, this place got named as Moodabidri. 'Moodabidri' stems from two words: Moodu and Bidiru. Moodu means East and Bidiru means bamboo. This place was also known as Mooduvenupura. 

Popularly known as Jain Kashi, Moodabidri is a pilgrim centre for the Jains not only because of several sacred Basadis, but more so because of the Dhawalas, the most sacred scriptures of Jainism, found in their original form on palm leaves in this tiny town. If Moodabidri is regarded as sacred for Jains by virtue of it being a Jain center, it is held in high esteem by non-Jains for its historical and architectural significance. Being a religious center, this city was a nucleus for the spiritual achievement of the sages. It had captured the minds and hearts of all by the means of its natural charm, peaceful atmosphere and amicable climate. Moodabidri is known for religious harmony from time immemorial, where all religions are looked upon with equal reverence. The green surroundings - coconut gardens, paddy and sugarcane fields add to the charm of the place. 

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Moodabidri – the Jain Kashi 


Moodabidri was a centre of Jain literature too. Ratnakara Varni, the doyen of medieval Kannada literature and the author of Bharatesha Vaibhava belonged to this place. The famous Jain canonical texts known as Dhavala texts and also a number of palm leaf manuscripts of immense literacy value are in the possession of the Jain monastery here.

Moodabidri was also the seat of the Chowtas, a local Jain ruling family, who were originally ruling from Puthige, a village about 5 km from here. They shifted their capital to Moodabidri in the 17th century, where they constructed a palace, the remains of which can still be seen.

Moodabidri still maintains its old charm as an important Jain centre coastal Karnataka. The city has a large population of Jains who keep the spirit of Jainism still alive. Many Jain festivals are also being celebrated here throughout the year. Moodabidri continues to the most sought after pilgrimage centre of the Jains from all over country.

Basadis in Moodabidri


There are 18 huge Basadis in Moodbidri. The most famous among them are Guru basadi, Tribhuvana Tilaka Chudamani Basadi and Ammanavara Basadi.

The Guru basadi is believed to be the earliest of the Jain monuments of this place. Lord Parshwanatha, the 23rd Thirthankar of Jainism is the presiding deity of this temple. A beautiful stone idol of Parshwanatha, about 3.5 metres tall, is installed in the sanctum of this basadi. It is in this basadi that the rare Jain palm leaf manuscripts of 12th century A.D. known as ‘Dhavala texts’ were discovered.

The largest of these basadis is popularly called “Thousand Pillar Basadi” and romantically called “Thribhuvana Thilaka Choodamani” Basadi. Apart from these, there are other basadis, all constructed in stone (Granite) and famous for their architectural beauty. The word ‘Basadi’ is derived from the Sanskrit word “Vasathi” meaning temple or Mandir.

For detailed information on the other Basadis, visit: http://www.jainkashi.com/?page_id=44


Savira Kambada Basadi (Thousand Pillars Temple)





This is the largest and the most ornate of the Jain temples of this region.  This is a large granite temple built in 1430 A.D. The 2.5 metres tall bronze image of Lord Chandranatha Swami in the sanctum of this basadi is considered to be very sacred. This 3-storey construction was supported by the rulers, the Jain Bhattaraka Swamiji, merchants and the common people.

The Basadi bears three names. Looking very new this Basadi is called “Hosa Basadi” (New Basadi). Having a total of a thousand pillars, it is called “Thousand Pillar Basadi”. Like saffron mark on the forehead of a woman it looks like a dazzling precious stone and so it is also called “Thribhuvana Thilaka Choodamani”.  A temple resembling this Basadi is nowhere to be found in India and for this reason alone, perhaps the Basadi bears the handsome name “Thribhuvana Thilaka Choodamani”.

According to the wish of the then Bhattaraka Mahaswamiji of the Jainmath, the king of Vijaya Nagara ordered the governor, Nagamangala Devaraja Wodeyar to donate land for the construction of the Basadi. Later in accordance with the guidelines of Sri Swamiji, several devotees and 60 Shravaka Shreshtees (donors) built this Basadi in 1430. In 1463 Bhairadevi constructed the Bhairadevi Mantapa and Nagaladevi, the wife of Bhairarasa constructed the 50-feet tall, symbolic Manasthambha (a pillar) in front of the Basadi. The Bhairadevi Mantapa is a treasure house of architectural art and skill. On the stone side walls of this Mantapa the beautifully carved designs of Giraffe, The Chinese Dragon and the Arabian horse cannot miss the visitor’s attention.


The Architecture


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The “Thribhuvana Thilaka Choodamani” basadi of the Moodabidri is the only basadi among the others having a long, rectangular shaped plinth area. The temple is famous for the open pillared hall in front, consisting of a large variety of ornate pillars decorated with carvings typical of Vijayanagara style. It is said that no two pillars are identical in this temple.

The 15-meter tall freestanding single stone pillar called Manasthambha in front of the basadi, is indeed a marvel by art. The most beautiful part of this temple is the open pillared hall in front, consisting by a rich variety of ornate pillars. The pillars and the roof this open hall are decorated with beautiful and minute carvings typical of Vijayanagara style.

The Shravakas, donated gold and a beautiful 9-feet tall statue of Bhagawan Sri Chandranatha Swami, made of an alloy of five metals (panchaloha) was made. This Basadi has been given the shape so as to reflect ancient traditional styles. Every pillar is a “web of art” and an embodiment of architectural excellence. Navanaari kuinjara, a sculptural art piece that appears like an Elephant but actually depicts 9 dancers is one of the famous art in this Basadi.

The 2.5 metres tall bronze image of Lord Chandranatha Swami in the sanctum of this basadi is considered to be very sacred. The supreme divinity rests on the seat called “Khadgasana” giving “Darshana” to the devotees. The Basadi has two places of sanctity and at these places are two precious statues worth visiting at any cost. “Siddhakoota” is one such place reminding us all of the ultimate day or the moment when we should shed all our earthly achievements when our soul is left as pure.  Siddhakoota is a place where the ambassador of Persia, Abdul Razak, Wallhouse and other foreign visitors, Indian historians, poets and thinkers have visited. It is said that this is the place which inspired the great poet Rathnakara Varni to write many of his religious works.

Three stages are marked in the construction process of the “Thousand Pillar Basadi”.  First, the sanctum sanctorum (Garbhagriha) and Sukhanaasi were built by the local Shravakas in 1430 A.D. where the statue of Chandranatha made of five-alloy-metal (Panchaloha) was installed. In the second stage the Theerthankara Mantapa and the Gaddige Mantapa were built by 60 Shreshtis in 1451 A.D. In the final stage, queen Chitradevi of Gerusoppa undertook the construction of Chitradevi Mantapa and Bhairavi built the Bhairadevi Mantapa in 1462. After that Gerusoppa Hirebhairava queen, Nagile erected the 50-feet tall, beautiful Manasthambha in front of the Basadi. Thus the Basadi took 32 years for its construction and is a charming cluster of 7 Mantapas -  1) Chaturasa Garbhagriha Mantapa, 2) Sukhanasi Mantapa 3). Theerthankara Mantapa, 4) Gaddige Mantapa, 5) Chitradevi Mantapa, 6) Bhairadevi Mantapa and 7) Namaskara Mantapa. All the 7 Mantapas in unison with the Manasthambha and the Mahadwar, culminate atop in the Samavasarana Mantapa.

Getting there


Moodabidri is 37 Kms northeast from Mangalore. It is situated on the newly constructed National Highway 13 on the Mangalore-Karkala road.

Nearest Railway station is Mangalore, which in turn is connected to almost all popular railway stations. Nearest Airport is again the Bajpe Airport in Mangalore situated 24kms from Moodabidri.

There are frequent bus services from Mangalore, Karkala, Udupi other neighboring towns. Karkala is 18 Kms away from Moodabidri on the way to Udupi which is 60 Kms from Moodabidri.  Moodabidri can also be reached from Dharmasthala (50Kms) and Bantwal (35Kms).

Most of the important tourist locations are within the walking distance from the town center. Taxis are also available either in Moodabidri or in the neighbouring towns to visit most of the tourist locations in and around Moodabidri.

Note to our readers: The information presented in this blog has been collated from various sources on the internet and hence Bangalore Press does not vouch for the authenticity of the same. We request you to write to us at if you think you can help us improve this article. You'll be given due credit for any information/images you provide us.

Write to us atbangalorepressblog@gmail.com 

Thank you!


Sources:

http://wikimapia.org/139951/Thousand-Pillars-Jain-Temple-Moodabidri
http://www.jainkashi.com/


Saturday, 16 February 2013

Lord Shree Vinayaka, Idagunji


Local Highlight this week: 17 February 2013, Idagunji Car festival 



Idagunji is a small town, in Honnavara taluk of Uttar Kannada district, on the Karavali coast of Karnataka. The famous Vinayaka temple is the main attraction here and receives more than 10 lakh devotees every year.
The  Vinayaka temple is an ancient temple, with a history of more than 1500 years, and is located on the left bank of river Sharawati.  ‘Eda’ (Wamnadi) means ‘to the left’ and ‘kunj’ means ‘garden’. The importance of Edakunj kshetra has been mentioned in the Sahyadri khanda of Skandapurana.

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The Legend of Shree Vinayaka, Idagunji


Towards the end of Dwapara Yuga, Valakhilya, along with other immortal saints, was performing penitential activities in a forest. Their activities were constantly getting hindered due to diverse obstacles and hence, the Saint Valakhilya was agitated. When Narada - the noble saint - visited Valakhilya, he explained his difficult situation to Narada and requested him to suggest a pragmatic solution to deal with the obstacles. Narada advised him to worship Lord Vigneshwara (the remover of obstacles) before starting the penance again.

Valakhilya and the other saints, along with Narada, started off westwards in search of an appropriate place to worship Lord Vigneshwara. They came across the Sharavati River. Located a few miles away, to the left of Sharavati, was a place called Kunjaranya and Narada suggested it to be a deserving place for their penitential activities. Narada explained that in the past, the Holy Trinity - Hari, Hara and Brahma - had performed penance here for the destruction of the Asuras(the demons). They also created lakes "Chakratirtha" and "Brahmatirtha" while here.

Narada, with the help of the saints, created another lake and named it "Devatirtha". He then offered to bring Lord Ganapathi along with other Gods, including the Holy Trinity, to the Yagna to be performed at Kunjaranya. Narada approached Brahma, Vishnu and Maheshwara, and invited them to attend the Yagna. He also requested Devi Parvathi to send her son, Ganapathi.

Narada's charisma led all the Gods including Lord Ganapathi to attend the Yagna. The temple, built specially for the occasion, was decked up with exquisite décor, glittering diamonds and other precious stones. Ganapathi received the rites, rituals and ceremonious formalities on the second day of the Yagna.

The great saints and the Heavenly beings chanted the hymns in praise of Lord Ganapathi. Ganapathi, magnificently attired, was holding the “Modhaka” and “Padma” in his hands. Immensely pleased by the devotion of the saints, He expressed his desire to grant the wishes of his devotees. The other Gods too were impressed and in return, blessed the saints.

When the other Gods expressed intent to return to their respective abodes, Ganapathi decided to stay behind and gratify the desires of his devotees. He also requested the Gods to leave behind a part of their omniscient power, in the various lakes there. Also, a lake was bestowed to provide water for Lord Ganapathi’s bathing, at his request. It was named as "Ganeshtirtha". Therefore, according to Skanda Purana, Lord Ganapathi stayed in Kunjaranya  which is now renowned as Idagunji.

The Idol


The Ganapathi idol here is in standing posture, and has short legs and a depression on the head. The “Dwibhuja Ganapathi” (two-shouldered) holds a Modaka and a Padma (Lotus) in his hands. The idol is made of black stone.
Panchakhadya prepared for Lord Ganapathi is the special prasada at this temple. Devotees believe that when one is faced with obstacles, a prayer to Idagunji Ganesha not only removes the obstacles but also brings out miracles.

Special Attractions


At Idagunji , the Ganesha masks made out of lavancha (‘sogade beru’ in Kannada or ‘Vetiver’ in English) make good souvenirs. Raw lavancha is also available in plenty. The lavancha has a pleasant aroma when soaked in water and has medicinal properties.
The devotees can also take a dip in the various "Theerthas" and attain their hearts’ desires.

Location


Idagunji is located about 14 kms south-east of Honnavara taluk of North Canara District of Karnataka. The temple is midway between Gunavanteshwara and Murudeshwara, and is about half-an-hour’s drive from either temples.  

Note to our readers: The information presented in this blog has been collated from various sources on the internet and hence Bangalore Press does not vouch for the authenticity of the same. We request you to write to us at if you think you can help us improve this article. You'll be given due credit for any information/images you provide us.

Write to us atbangalorepressblog@gmail.com 

Thank you!


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Friday, 1 February 2013

Chandrachoodeshwara temple, Hosur

Local Highlight this week: 15 February 2013, Pallakki Utsavam at Chandrachoodeshwara temple at Hosur


Situated on a small hillock near Hosur City is the Maraghathambigai Chandrachoodeshwara temple (Hosur Shiva Temple) - about 39 Kms from Bangalore. It is one of the oldest and the among the famous temples of Dharmapuri district. The presiding diety is Lord Shiva with the Moon on His head (Chandra means 'Moon', chandrachoodesh is one who wears the moon) and hence the name of the temple.

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History of Hosur


Hosur was founded by King Rama Nathan during the year 1290. He belonged to the Hoysala Dynasty. Hoysala Dynasty's rule came to an end after Pallavarayar III died during the war with the Pandya king, Maravarman Sundara Pandyan. The Chandrachoodeshwara Temple was built by the Hoysala king, Thirupuvanamalla Barvatharaja Anthiyazhvar, in the year 1260. The temple was renovated by Azhakiya Perumal Aathimoolam. 'Padmagiri Mahathmiyam', a part of 'Bramanda Puranam' talks about the popularity of Hosur.

 

The Legend


Once, a Devi was hurt by an Asura (demon) and she decided to perform Tapas on the banks of Dhatchinapinakini. Pleased by her Tapas, Lord Shiva appeared before her and Devi asked for an idol of Shiva's Vahana, Nandi as a Varah (boon/gift). Lord Shiva gifted her the idol. In memory of this incident, the Devi requested Lord Shiva to build a temple permanently on a hill. Shiva obliged and the above mentioned Shiva temple was built.

Special Features of the Temple 

 

 

This hill looks like 'Nandi' (The bull) when it is seen from a distance. Hence, the temple on top of this hill is called as Virushapasalam. It is known by other names as well - Shenbagasalam, (since the area is fully covered by Shenbaga trees), Bathrasalam, Bathragiri, etc. There are 8 theerthas which add fame to this temple. They are Maraghatha (Emarald), Shambavam, Macham, Sri Rama, Pandava, Shiva Gange, Hanuman and Vishnu. Maraghatha Sarovar (literally the Green River), is named after one of 8 Theerthas, and is a river present below the hill. During Hoysala Vishwanathan period, it is said that 127 gold coins were donated to this temple. It is said that this area is called Hosur as it was once ruled by the Hoysalas.




Inside this temple, idols of Surya, Chandra, Gajalakshmi, Kashi Vishwanatha, Ganesha and Panchalinga are present as well.

In a separate shrine, Goddess Parvathi gives darshan to people as Maraghathambal. A Linga is present at the entrance of this shrine and is known by the name 'Jalakantheswara'. During the dry season, this shrine is filled with water and rituals are conducted to praise Jalakanteshwara in the hope of good rains.

The temple is now under the maintenance of the Tamil Nadu Government. Pooja is conducted thrice a day. Mondays and Fridays are considered as special days in this temple. During the Tamil Maasi month, a 13-day Rathothsava is held. Shashti, Pradhosha, Ruthrabhisheka are considered as special events in this temple.

The route


This trip would certainly be an excellent getaway from the daily hustle and bustle. The temple does not witness huge crowds except on a few festive occasions. It is well maintained and the aerial view of Hosur from here is not to be missed.

The approach road to the temple, at least upto the foot of the hill, is in excellent condition. The NH7 section between Bangalore to Attibele (33Km) and from Attibele to Hosur (16Km) is 4 laned and a pleasure to drive on!

Adding to this is the electronic city ramp - supposedly the longest elevated highway in India!


Note to our readers: The information presented in this blog has been collated from various sources on the internet and hence Bangalore Press does not vouch for the authenticity of the same. We request you to write to us at if you think you can help us improve this article. You'll be given due credit for any information/images you provide us.

Write to us at: bangalorepressblog@gmail.com 

Thank you!


Sources:
http://en.wikipedia.org/wiki/Hosur
http://mycountryshining.blogspot.in/2011/02/hosur-maraghathambigai.html

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